Welcome to the Farsi Gallery website, the premier site for presenting Iranian (Persian) Visual Arts and Artists. To view the Art, Click HERE
Persian (Farsi) Calligraphy
Persian calligraphy is an artistic writing method that has been around for thousands of years. There have been several styles of writing created throughout Persian history, yet the Nastaliq and Shekasteh (cursive) Nastaliq are the two forms that have truly stood the test of time. Today, there is Persian calligraphy art found everywhere: clothes, tattoos, jewelry, paintings, and so forth. While not as widely popular as Japanese and Chinese Kanji, it is recognized by many people as a beautiful, fascinating form of art.
Farsi calligraphy originated in the early 9th century in Persia, which is modern day Iran. Farsi calligraphy is traditional script that is favored by many Iranians. It is also commonly referred to as “Parsi” or “Persian” writing. In fact, many modern scholars prefer the name Persian for this language. Still, many prefer either Parsi or Farsi. Farsi calligraphy is considered to be a very artistic form of writing. There have been many poems written in this curved, artistic style over the centuries. The style is now becoming popular all around the world, and many fashion designers, tattoo artists, and graphic artists are starting to use Farsi calligraphy in their designs. The poems and quotes presented here are written in clear script (non-abstract) for those who are interested about the messages that have been passed on from the classical masters.
Currently, there are a number of different styles of writing, each of which has been designed to cater to a specific audience. It has become important to get familiar with these so that you don’t end up getting bored or lost interest with the world of calligraphy. Thanks to the sharp influx of the Chinese or Japanese Kanji, fewer people are recognizing the Persian calligraphy. However, once you do check these out, you are bound to be mesmerized by it. It has been quite rare to see something as beautiful as the Persian calligraphy, simply because this is something that has been around for a long time but never really had the chance to be as famous.
One of the things about Persian calligraphy is the fact that it is quite exquisite and special in its own way. With a history that goes back to thousands of years, the Persian calligraphy is probably one of the oldest forms of writing out there. Now, you can see this wonderful form of writing on a number of things which range from clothes to tattoos and jewelry. Hence, if you look around closely enough, you are sure to find something that is bound to impress you and captivate you at the same time.
But, in case you are not sure about where to go in order to see some of the best forms of this writing out there, you should perhaps look at the site Farsi Gallery. This is by far one of the best sites to go to if you want to learn more about Persian calligraphy. Not only will you be able to learn quite a lot about this, but you will also witness some truly fine examples of this form of art which can probably help you figure out a good use for it.
When you take a look at the Farsi calligraphy, you are bound to be impressed at just how revolutionary these fonts tend to be. In fact, you might also be impressed to know that these have been around for a really long period of time, from around 9th century to be precise. Over this period of time, much of it has remained relatively unchanged and is just as special or useful as it originally was. Hence, if you have never experienced Farsi calligraphy before, you should consider taking a look at it.
Although known as Persian writing by folks in the west, Farsi calligraphy has actually been around with us in a number of different forms. This could be either in the form of tattoos or even in the form of clothes or other such things. In fact, you might find some really good examples of Farsi calligraphy if you go to websites like Farsi Gallery. Here, you will get to know about the different ways in which this writing has evolved and some fine examples of the calligraphy being used. You can browse over the gallery and look at some of the different applications that you could perhaps make use of.
People that normally do go in for Farsi calligraphy are extremely happy with how gracious the fonts look on their work. Whether it is on their body or if it is something that they managed to get on their clothes, it is always placed carefully and thoughtfully to give these clothes a truly special look. This, in essence, is reason why people like these fonts. They are unique and not as commercialized as Chinese or Japanese Kanji. If you do opt in for it, you can be rest assured that your design is not going to be copied by anyone else.
Some calligraphy art has been around for more than two millennia, a testament to the cultural importance of aesthetic writing. With calligraphy art
, written script is transformed from a sheer means of communication into an artistic representation of language, with significant value placed on form, structure, and creative brilliance. One of the main points of admiration for a piece of calligraphy art
is, of course, the apparent skill of the calligrapher. Good calligraphy art requires an enormous amount of hand training in order to create a piece that stays true to both historical standards and the artist’s unique conceptualization of those standards.
Historically, the essential tool for any calligrapher was a felt pen or fine brush, and this tradition has translated to present day as well. A thin point allows for more precise manipulation of the ink, which is necessary for the delicate curves and lines of calligraphy art
. The aesthetic values involved in calligraphy have led to classic pieces, and in the case of Persian calligraphy art
, some calligraphers became famous through their work. Mir Emad and Ali Reza Tabrizi are nationally revered in Iran even today, almost 500 years after their deaths.
Because of its longevity and traditional standards, calligraphy art
is one of the most historic and culturally telling forms of linguistic art.